Wednesday, July 17, 2013

Pacific Rim Movie Review

Pacific Rim Movie Review (no spoilers)

Before getting to the movie proper I'd like to take a look at a few of the previews.

Preview Predictions

Elysium (coming Aug. 9, 2013)

A story about a overpopulated world stuck in hunger and poverty and where a giant Halo ring hovers above the sky full of rich white people who wear argyle sweaters and play golf. Either the planet Earth is a world where the contraceptive mentality failed or we get to see the failures of the non-contraceptive mentality. Overpopulation seems to center around that. The overpopulation becomes the MacGuffin Max (Matt Damon) needs to infiltrate Elysium.

I could tell this movie would be “great” when the previews show interviews of Jodie Foster, Matt Damon, and Sharlto Copley (Kreuger) started explaining to us the intricacies of the movie.

Jodie Foster told us she was the antagonist.
Matt Damon explained to us how he is the protagonist.
“Kruger” explained how the antagonist brought him in to initiate conflict with the protagonist. They explain how Kruger is “dragged into all of this” by the actions of the protagonist.

The trailer then went on to explain that there would be scenes of action of increasing intensity until one scene was particularly intense. As a movie goer it's nice to know the movie would follow a series of events from beginning to end.

Prediction at release: * ½ stars

2Guns (coming Aug. 2, 2013)

The charismatic Marcus Wahlburg delivers lines almost like he memorized them. Denzel Washington acts like an angry black guy when he's angry, which is most of the trailer. They take away his wife 25 years his junior and he gets really angry. The movie has Wahlburg and Denzel act as undercover agents who blow things up. Eventually the mob gets involved and then the CIA. The question that Tommy Wisseau asked is the one we ask all these years later: Can you really trust anyone?

Prediction at release: ** (deserves less) Denzel, please do good/fun movies again.


Gravity (coming Oct. 4, 2013)

The camera spins around until you feel sick as poorly times satellites and space debris hit the unluckiest space mission ever.

Prediction at release: *


Pacific Rim Review

I won't waste your time. As a theater experience and as a movie experience Pacific Rim is worth it. I didn't bother seeing it in 3D and I'm glad I didn't. I think the sheer amount of activity and energy of this film would tire your eyes adjusting to 3D. In IMAX, however, I imagine this would be even cooler.

The movie features really cool set designs, a list of good actors (and above average acting), enjoyable fights, and a story that is simple (monsters are bad, we must fight them!) but enjoyable.

The Robots: the robots, mecha, or whatever you want to call them are interesting in their own right. The pilots are called Jaegers (hunters) who are part of a global initiative to protect the Pacific coast lands from the Kaiju (monsters). If you've ever played the old PS2 game “Ring of Red,” the robots there as well as here have a creaky, slow, and intentional movements. They feel heavy, they punch hard, and they look as realistic as you could expect for what you're looking at. I suppose it's much like Robot Jox, a movie I've only seen in pieces.


The cockpits themselves are real set pieces which adds to the realism, if you will, of the movie. You can see the characters struggle with the machinery, wind up their punches, and experience the effects of being flung, punch, and whipped through the air. Real effects are hard to come by these days, I appreciated them. There was a great deal of CGI also but it was clouded by water spray, darkness, and other additional layer-effects that help keep us focused on the action and not the “fakeness” of what's happening. This, I believe, will serve the movie well. The editing does a good job of focusing our eyes on real effects and then moving back to CGI just enough so it tricks us into keeping the two close together.

The robot designs are different and attractive. While the main mecha was sleek, I enjoyed the bruiser robot the Russians piloted. It's too bad it didn't get more air time.

The Monsters: somewhat neat designs. For me, they weren't particularly interesting. They moved well, fought with a variety of styles, and felt as heavy as the mechs. I perhaps could have used more color. I suppose it's hard to be creative. The first monster, “knife head,” that opens the movie was perhaps the most interesting.

The Characters:

Charlie Hunnam, our main character Rakeigh, is a decent enough actor. He was never too cocky, too emotional, too sulky. Confident in his abilities, serious about his duty, but not a stiff personality. I didn't have many problems with him at all.

Rinko Kikuchi, who played Mako Mori, also acted well. She was an unassuming lead female role who worked for me. Strong, but also vulnerable for much of the movie, she struck a nice balance. She was the source of, I think, some unnecessary conflict in the movie, but it wasn't her character's fault, more so the writing.

Idris Elba, who played the CO of the Jaeger operation, was perhaps the best actor in the whole movie. A commanding presence who responded reasonably to various situations in the movie. I enjoyed his performance.

Charlie Day, who plays Charlie playing Dr. Newton Geiszler, will perhaps be one of those actors who will never escape his identity in It's Always Sunny in Philadelphia. He acts well enough. He's eccentric, a “wild card” so to speak, and doesn't offer too much. I liked him in the movie, but of all the actors and events he took me most out of the movie.

Ron Peralman, a man who is not the one to be messed with, plays the over-the-top Hannibal Chau. Unlike Charlie Day, I feel like Pearlman has enough variety in him to pull off goofy characters while still being identifiable as Ron Pearlman. We go to movies with Ron to see him act like Ron. I think he puts himself into the setting well and I enjoy the rapport he and Charlie Day had. Ron Pearlman, as my brother said, may have been “too much ham” for the Kaiju. He's great to see on screen, though.


Plot: I won't bore you or spoil anything. There are a few aspects of the plot that I enjoyed a great deal.

1) There was no real internal conflict among humans. No countries tried to stab each other in the back. No secret military plots. No stupid motivations. Human beings came together to work toward a common cause. Russians, Chinese, American, and Australians working together in almost-harmony.

2) They didn't force a pointless love story. I think the movie hints at a romance between Mako and Raleigh that grows somewhat naturally. It never gets sexual, it never makes itself the main focus, it's just something in our peripheral. Kudos to the movie for movies away from sex and explosions.

3) No ridiculous pyrotechnics. The fights are cool, having various effects. Explosions happen when they need to, blood flies when it's supposed to fly, but everything done in moderation.

4) The movie strikes a balance between characters personalities and their duty. No ones eccentricities get in their way of their duty or function. They don't ruin plans or get people killed because they go after what they want. The characters, for being so over the top, are actually pretty balanced.

5) Unlike most movies that try to see “both sides of the issue” this movie has a clear villain, a clear goal, and no ambiguity. The monsters are evil, and we must fight them. All without referencing Hitler, which is more than I can say for the Avengers.


A few complaints:

1) The conflict at the beginning seems a bit manufactured. The world's leaders are disappointed in the Jaeger project and fund a crappy wall. The plot point gets dropped pretty quickly. Seemed like manufactured conflict to me.

2) It seems like the pilots weren't always prepared for things that they should have been prepared for (on their end).

3) The music, while fitting and unobtrusive, isn't really memorable.

4) While there is some tension, it's never really the edge-of-your-seat tense.

5) You may find the ending to be a bit rushed.


Final Remarks:

For a 2+ hour movie, it never seemed to overstay it's welcome. Characters were each given adequate screen time and development. There was only one scene where I felt like it dragged on, and it was only 3 minutes or so. We never get to see much from the Russians or Chinese, which is a shame, but they were cool.

The movie is cartoony enough to make you laugh a few times, serious enough keep you cheering for our heroes. The movie is a “spectacle movie” where you get to see big robots fight big monsters. The movie never forgets that premise. It's a well-balanced movie. It combines good acting with enjoyable action. It mixes childish fantasy (like when you would crash toys together) with adult attention. It rejoices in large battles and the human spirit.

Guillermo Del Torro delivers another interesting movie wherein I can't find enough flaws to detract from its merits. I hope a sequel comes out someday. It's disturbing to see Grown Ups 2 somehow pull more in. Your money is better spent here.


Verdict: ***
 
Three nostalgic robots out of four. I also understand Megatron isn't a hero.

Monday, July 15, 2013

The Early Church III-1: Introduction to Christology

Enjoy learning about the early Church? See parts I here and II here.

Prologue

The study of the person, actions, and significance of Christ can be a daunting task. The number of opinions out there about Him, whether one believes or not, are so numerous it seems as if there could never be a consensus on who Jesus actually was or what He actually did. This problem is not a new one, however, but a very ancient one. We see that even when Jesus performed His earthly ministries many were unsure as to His true identity. When Jesus asked his Apostles who others said the Son of Man was they told him, “Some say John the Baptist, others Elijah, still others Jeremiah or one of the other prophets” (Mt 16:14). When Jesus addressed them, those who had witnessed him firsthand, Peter took charge and said, “You are the Messiah, the Son of the living God” (16:16).

Our difficulty is twofold at this point. First, Jesus claims that “flesh and blood has not revealed this to you, but my heavenly Father” (16:17). Knowledge of Christ is ultimately subject to revelation, experience, and grace. Secondly, when Peter got it right he showed us how we can still get it wrong.

Peter spoke truly and in the Spirit, but when he heard Jesus say that He must suffer and die at the hands of wicked men Peter was taken aback. He rebuked Jesus—how could the Messiah suffer? How could God Himself die? Jesus called Peter 'Satan' because he is acting as a deceiver. Recall Genesis in this instance, where the serpent says “You certainly will not die!” (Gen 3:4).

Peter only understood so much, as we might expect. Christ's mission was not yet complete. He had not yet suffered, died, risen, and ascended to the Father. In the Gospel of Mark, for example, no man declares that Jesus is the Son of God until he dies on the cross. Even if we come to believe in these things they still remain a great mystery. We may ask “why did Christ have to do it this way?” but it stands that this was the manner God chose to redeem us. There is always something that can be revealed about a person and his intentions when  he has a number of means and options open to him. That he chooses a specific way can teach us if we endeavor to accept it.

Much like the Trinity, the person of Christ is a mystery of the highest kind. The depths of God's love, mercy, power, and person all remain unplumbed. It takes time to rest in these mysteries and allow them to reveal their hidden truths to us. Much like Scripture, these mysteries are present to us in all of our emotions, affections, and states of being. They are ever-ready to reveal something new to us if we are willing to listen to them and trust in them. As Peter himself shows, sometimes that's difficult. One who experiences loss may find it difficult to believe God loves—but what if they were to believe this despite their loss? What would they learn of God's love? What would they understand from their loss?

We may not gain understanding of these things by our efforts—only the Holy Spirit can give us this—but we grow in wisdom by being with Wisdom. Wisdom is, after all, “the spotless mirror of the power of God, the image of his goodness” (Wis 7:26). Proverbs says it more directly: “The beginning of wisdom is: get wisdom; at the cost of all you have get understanding” (Prv 4:7). In order to understand, become wise, to know and be with Christ we must desire it. Christ says “follow me” and we decide to follow. Love compels us to follow, wisdom keeps us safe as we travel. Another way of looking at it is this: wisdom is the benefit, the reward, of love.


We learn from the imperfections He subjected Himself to for our sake. We learn that it's okay to be imperfect.

The purpose of the following is meant to be an introduction and in no way an academic analysis. I have purposefully kept this examination in the early Church in order to show the ambiguity and struggle that many holy men experienced. In the early 300s more articulate language developed in response to honest dialogue as well as heresy. The same is true of the Trinity.

In both cases, while I will focus on the subject at hand, I would like all who read to consider the collaboration, faith, and wisdom of the many bishops, theologians, and saints who made our present-day expression of faith possible. These were men who willingly walked into the darkness of many mysteries and avoided the guile of reducing such things to human and earthly terms. They deflected ideas which rejected the apostolic teaching or those claims which contradicted Scriptures—they were truly masters of both. Let us, in a small way, sit at their feet in order to correct and safeguard our own ways of thinking.

(See III-2 here!